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DTS SETUP

Under this menu, the Dynamic Range Control of DTS Digital Surround can be adjusted as well as the

settings for DTS Neo: 6 Music.

Dynamic Range Control : This is the same congurable Dynamic Range Control feature as

described above at Dolby Setup, the only dierence being the soundtrack is now in DTS format.

DTS Neo: 6 Music : Please refer to the same description about ‘Adjusting Listening Modes’ under

the ‘Listening Mode’ of the Main Menu discussions.

Enhanced Stereo : Please refer to the same description about ‘Adjusting Listening Modes’ under

the ‘Listening Mode’ of the Main Menu discussions.

DTS SURROUND MODES

The following are further descriptions about the DTS surround modes.

DTS  ES EXPANDED SURROUND ™ DTS ES

This is a new multi-channel digital format which greatly improves the 360° spatial sensation of the

Surround impression thanks to the greater space expansion of the surround signals, providing high

compatibility with the conventional DTS format.

In addition to the 5.1 channels, the expanded DTS-ES Surround also oers the back surround (also

sometimes called the “surround centre”) in reproduction, providing a total of 6.1 channels. The

expanded DTS-ES Surround includes two formats, with two dierent methods of surround signal

recording, as follows:

DTSES™ DISCRETE 6.1

Since the signals of the 6.1 Surround channels (including the back channel) are completely

independent, it is possible to achieve the sensation that the acoustic image is moving about freely

among the background sounds, 360 degrees surrounding the listener.

Although maximum quality is achieved with sound tracks recorded using this system and reproduced

using the DTS-ES decoder, when played with a conventional DTS decoder, the back surround channel

is automatically downmixed in the surround right and surround left channels of the surround system,

in such a way that none of the signal components are lost.

DTS  ES™ MATRIX 6.1

In this format, the additional signals of the back channel receive a matrix encoding and are inputted

into the right and left surround channels. During reproduction they are decoded to the right, left and

back surround channels.

Since this bit-stream format is 100% compatible with conventional DTS signals, the DTS-ES Matrix 6.1

format eect can also be achieved from sources with DTS-ES 5.1 signals.

Naturally, it is also possible to reproduce from a DTS 5.1 channel decoder, signals recorded in DTS-ES 6.1.

When a DTS-ES decoder processes a discrete DTS-ES 6.1 or in Matrix 6.1, these formats are

automatically detected and the Optimum Surround mode is selected. However, some DTS-ES Matrix

6.1 sources may be detected as DTS. In this case the DTS-ES Matrix mode should be selected manually

in order to reproduce them.

DTS NEO: 6™ SURROUND

This mode applies the conventional 2-channel signals such as digital PCM or analog stereo signals to

the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-channel surround

playback. DTS Neo: 6 surround includes two modes for selecting the optimum decoding of the signal

sources:

DTS NEO: 6 CINEMA : This method is ideal for the reproduction of movies. The decoding takes

place by emphasizing the separation in order to achieve the same atmosphere with 2-channel, as

with 6.1-channel sources.

DTS NEO: 6 MUSIC : Mainly recommended for music reproduction. The right and left front

channels do not pass through the decoder and are reproduced directly so there is no loss in sound

quality, and the eects of the right surround, left surround, central and back surround channels add

a natural sensation of expansion of the sound eld.

OPERATION

USING THE T 765  SETUP MENU

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